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Portfolio

Little Shop of Horrors
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For Little Shop of Horrors, I worked as the assistant technical director, co-lighting designer, and light board operator.  As assistant technical director, I helped in most aspects of the design, and I drafted most of the set. In this show, I learned how to use an ETC Ion board with intelligent fixtures, how to focus lights, how to make a light plot, and how to draft in VectorWorks

2018-2019
2018 Choir Pop Show
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2018 Spring

In the 2018 Choir Pop Show, I had the opportunity to learn about the light board, and how to write cues while performers were working on stage. I had a lot of freedom when it came to the design of the show, which allowed me to express to the audience what I felt the music was trying to express. During the rehearsals for this show, I learned how to effectively write cues, use effects, and how to effectively communicate with a director.

The Good Women of Setzuan
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For this show, I designed the makeup for the three gods. It was inspired by the stylized makeup of the Peking Opera. The Peking Opera uses a style of face painting called Lianpu, which uses colors and shapes to depict the characteristics of a specific role. 

2018 Fall
Christmas Show 2018
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The Christmas Show is an annual show that is made up of different skits that the various theatre classes right. With that, this is a sign that I made for our Mainstage class. I worked as the prop master for this show, and I learned how to set up a prop table correctly, and how to make props that follow the director's vision.

2017 Winter
The Diviners
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The Diviners was put on during Wylie ISD's Summer On Stage. The biggest challenge with this show was the limited rehearsal time and the location. We created a thrust stage in an orchestra room, with limited supplies. I had to adapt quickly to the new lighting fixtures, and environment, and learned how important it is to be adaptable when working in a theatre.

2018 Summer
For All Those People
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For All Those People is a show written by our mainstage class. In it, we compiled many different poems, songs, and dances to express our ongoing emotions. By being on the run crew, I worked the spot, front of house, and backstage with the deck crew.

2017 Fall
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